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The Audience Member: The Administer of the Blow Job 

An Analysis of Andy Warhol’s Blow Job (1964)

Like a film projector presents images to a blank canvas, the viewer projects his or herself onto Warhol’s Blow Job, for which what is unseen- yet promised, must instinctually be created in the viewer’s own imagination. These personal and intangible depictions vary from viewer to viewer, and may not even remain static during the film’s progression. The unseen provider of fellatio in Andy Warhol’s Blow Job (1964) is therefore the audience member, an idea facilitated by the film’s structural film form- and its importance to the film’s sociopolitical response to mainstream film and sexuality, provide an increased attention to the spectator’s experience.

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